Browse Items (77 total)

  • Collection: Lalla Rookh in 19th-century Europe

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Image of a scene from the ballet Lalla Rookh (London Her Majesty's, 1846) , music by Cesare Pugni, choreography by Jules Perrot.
Catalogue record: http://collections.vam.ac.uk/item/O1154104/h-beard-print-collection-print-the-illustrated-london/

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Charles E Horn's opera, Lalla Rookh or the Cashmerian Minstrel, premiered at Dublin's Royal Theatre on 10 June 1818. The image here is of the theatre as it stood in 1821; the building that Horn knew was replaced after a fire.
Catalogue record:…

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Title-page and selected pages of music from a piano score of Robert Schumann's Das Paradies und die Peri, which premiered in Leipzig on 4 December, 1843.
Persistent catalogue record: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1335558

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An engraved image of Lalla Rookh as drawn by Kenny Meadows and engraved by J. Hollis. VERIFY SOURCE
Persistent catalogue record: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1495783

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Title page and music for "'Twas his own voice" by Sir John Stevenson.
Persistent catalogue link: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1499532

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A reproduction of the title page and selected pages of music from John Clarke Whitfield's 'The Spirit's Song', from 'The Light of the Harem' in Thomas Moore's Lalla Rookh. Persistent catalogue record:…

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This image shows Zelica singing Bendemeer's Stream to Azim, in an episode from the Veiled Prophet in Thomas Moore's Lalla Rookh.
Persistent catalogue link: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1496335

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This image depicts an episode in 'The Veiled Prophet' from Thomas Moore's Lalla Rookh. The prophet Mokanna chides Zelica to observe her oath to him, and she recoils in anger.
Persistent catalogue record: …

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A colour portrait of Lalla Rookh by George Housman Thomas. (London: Routledge, 1868)
Persistent catalogue link: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1495354

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This image shows the episode from 'The Veiled Prophet' in Thomas Moore's Lalla Rookk where Mokanna reveals his face to a repelled Zelica. Taken from from The Works of Thomas Moore, vol. 1 (Paris: Arthus Bertrand, 1820), frontispiece;
Persistent…
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