Browse Items (501 total)

Excerpts from the beginning and end of a cantata by John Francis Barnett (premiere Birmingham, 1870) derived from Thomas Moore's Lalla Rookh. Persistent catalogue link: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1865744

Azim, a character from the Veiled Prophet, one of the tales in Thomas Moore's Lalla Rookh. Found in: Lalla Rookh (London: Longmans, 1863), p. 53, Persistent catalogue record: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1495356

This image depicts the Mughal prince Selim embracing his beloved Nourmahal at the end of 'The Light of the Harem', the final poetic tale in Thomas Moore's Lalla Rookh. Found in in Lalla Rookh (London: Longmans, 1863), p. 320,

This image illustrates an episode from 'The Light of the Harem' in Thomas Moore's Lalla Rookh: a singing spirit ("From Chindara's warbling fount") brings succour to the sleeping Nourmahal. Found in Lalla Rookh (London: Longmans, 1863), p. 305.…

This image shows an episode in 'The Paradise and the Peri' from Thomas Moore's Lalla Rookh: the Peri is witness to the repentance of an old sinner, who weeps at the sight of a praying child. Found in: Lalla Rookh (London: Longmans, 1863), p. 152.…

This image depicts Lalla Rookh and her retinue approaching Dehli, where she is to be wed. Found in Thomas Moore, Lalla Rookh (London: Longmans, 1863), p, 321.
Persistent catalogue link: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1495356

This image depicts an episode from 'The Veiled Prophet' in Thomas Moore's Lalla Rookh: the prophet Mokanna parades with his favoured concubine Zelica. Found in Thomas Moore, Lalla Rookh (London: Longmans, 1863), p.102.
Persistent catalogue link:…

This image shows an episode in 'The Light of the Harem' from Thomas Moore's Lalla Rookh, where Nourmahal visits the enchantress Namouna. Found in Thomas Moore, Lalla Rookh (London: Routledge, Warne, and Routledge, 1860), p. 248. Persistent catalogue…

This image depicts an episode in 'The Veiled Prophet' from Thomas Moore's Lalla Rookh, where the hero Azim cradles his dying beloved, Zelica. Found in: Lalla Rookh (London: Routledge, Warne and Routledge, 1860), p. 96. Persistent catalogue record:…

This image depicts the opening of 'Paradise and the Peri' from Thomas Moore's Lalla Rookh: the Peri, a Persian angel, is disconsolate upon being barred entrance to Paradise. Found in Thomas Moore, Lalla Rookh (London: Routledge, Warne, and Routledge,…