Browse Items (77 total)

  • Collection: Lalla Rookh in 19th-century Europe

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Title-page and selected pages of music from a piano score of Robert Schumann's Das Paradies und die Peri, which premiered in Leipzig on 4 December, 1843.
Persistent catalogue record: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1335558

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This is a decorative title page in oriental style, found in the Longmans of London editions of Thomas Moore's Lalla Rookh with illustrations by John Tenniel.
Persistent catalogue link: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1495794

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This image shows a decorative title page from the Longmans editions of Thomas Moore's Lalla Rookh with illustrations by John Tenniel.
Persistent catalogue link: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1495794

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This is a decorative title page from the Longmans editions of Thomas Moore's Lalla Rookh with illustrations by John Tenniel.
Persistent catalogue link: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1495794

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This image depicts an episode from 'The Fire Worshippers' in Thomas Moore's Lalla Rookh: Hinda, having seen Hafed sacrifice himself, throws herself into the sea and drowns. Found in Thomas Moore, Lalla Rookh (London: Longmans, 1880), p.…

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Azim, a character from the Veiled Prophet, one of the tales in Thomas Moore's Lalla Rookh. Found in: Lalla Rookh (London: Longmans, 1863), p. 53, Persistent catalogue record: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1495356

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This image depicts the Mughal prince Selim embracing his beloved Nourmahal at the end of 'The Light of the Harem', the final poetic tale in Thomas Moore's Lalla Rookh. Found in in Lalla Rookh (London: Longmans, 1863), p. 320,

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This image illustrates an episode from 'The Light of the Harem' in Thomas Moore's Lalla Rookh: a singing spirit ("From Chindara's warbling fount") brings succour to the sleeping Nourmahal. Found in Lalla Rookh (London: Longmans, 1863), p. 305.…

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This image shows an episode in 'The Paradise and the Peri' from Thomas Moore's Lalla Rookh: the Peri is witness to the repentance of an old sinner, who weeps at the sight of a praying child. Found in: Lalla Rookh (London: Longmans, 1863), p. 152.…

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This image depicts Lalla Rookh and her retinue approaching Dehli, where she is to be wed. Found in Thomas Moore, Lalla Rookh (London: Longmans, 1863), p, 321.
Persistent catalogue link: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1495356
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