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&#13;
Many families crammed into small houses in narrow and unsanitary courts and alleys around the old part of the town. As the century progressed, unregulated areas of poor housing sprang up to the north and west of the town and east of the river in Ballymacarrett. Many of these areas lacked running water or sewerage, the uncovered River Blackstaff which flowed through the town centre into Belfast Lough serving as the only substitute. &#13;
&#13;
It was also a very young city, with large numbers of young single and married people moving into it and birth rates remaining very high. The care and control of the thousands of children who moved between work and school, or who remained unattended while both parents worked long hours, presented a major problem for the city’s welfare and municipal authorities.&#13;
&#13;
These challenges raised the questions of who would pay for civic improvements and for the upkeep of the poor. Improvements in the infrastructure could only come through an increase in rates- and nobody wanted that!&#13;
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&#13;
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&#13;
It was also a very young city, with large numbers of young single and married people moving into it and birth rates remaining very high. The care and control of the thousands of children who moved between work and school, or who remained unattended while both parents worked long hours, presented a major problem for the city’s welfare and municipal authorities.&#13;
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                <text>Photograph of Crozier’s Row, Belfast, 1911 by Alexander Hogg. [PRONI LA/7/8/HF/3]&#13;
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                  <text>Special Collections, McClay Library, Queen's University Belfast</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
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                  <text>2017</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>ERIN</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="25">
                  <text>Reproduction of these materials in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact specialcollections@qub.ac.uk for permissions information.</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                  <text>www.erin.qub.ac.uk</text>
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              <name>Format</name>
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                  <text>Still images/jpg</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>ERIN, "Lalla Rookh in 19th-century Europe," Special Collections &amp; Archives, Queen's University Belfast, Collection 15, accessed June 23, 2017, </text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Europe, 1817-1880</text>
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          <name>Original Format</name>
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              <text>engraved print</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Hafed at burning altar</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Pictorial works</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This image depicts an episode from 'The Fire Worshippers' in Thomas Moore's Lalla Rookh: the Gheber leader Hafed is about to sacrifice himself in the flames of the sacred altar. Found  in Thomas Moore, Lalla Rookh (London: Longmans, 1880), p. 229. Persistent catalogue link: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb1495794</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Tenniel, John, illustrator (1820-1914)&#13;
Dalziel brothers, engravers, active 19th century</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Moore collection</text>
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            <name>Publisher</name>
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                <text>London: Longmans, 1880</text>
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            <name>Date</name>
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                <text>1880-01-01</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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                <text>ERIN</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2540">
                <text>Reproduction of these materials in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at specialcollections@qub.ac.uk </text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="2541">
                <text>www.erin.qub.ac.uk</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2542">
                <text>Still image/JPEG</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="2543">
                <text>eng</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Illustration -- Engraved print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2545">
                <text>John Tenniel, Hafed at the burning altar, Special Collections &amp; Archives, Queen's University Belfast, accessed July 12, 2017, http://omeka.qub.ac.uk/admin/items/show/247</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Europe, 1817-1880</text>
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        <name>'The Fire Worshippers'</name>
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        <name>illustration</name>
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        <name>John Tenniel</name>
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        <name>Lalla Rookh</name>
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        <name>London</name>
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        <name>sacrifice</name>
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        <name>Thomas Moore</name>
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